


- Blue slide park pitchfork for mac#
- Blue slide park pitchfork professional#
- Blue slide park pitchfork mac#
Despite not being released as a single, the track "Smile Back" became Miller's highest-charting song at the time, reaching number 55 on the Billboard Hot 100 chart dated November 26, 2011. In its second week, the album fell to number 24 with 25,000 sales, one of the largest drops from number one at the time. īlue Slide Park debuted at number one on the US Billboard 200 chart, selling 144,000 copies in its first week, making it the first independently-distributed debut album to top the chart since Tha Dogg Pound's Dogg Food (1995). Jordan Sargent of Pitchfork gave the album a 1.0 out of 10 rating, and wrote "Miller's world is a hermetic one, and unless it's one you inhabit, the album holds no appeal", and "he's mostly just a crushingly bland, more intolerable version of Wiz Khalifa". XXL viewed the album's production more positively, but noted that Miller still has "room to evolve". Jon Garcia of gave the album a rating of 6.5 out of 10, criticising the production and claiming that "it's as if he hasn't found his sound yet".
Blue slide park pitchfork professional#
At Metacritic, a site that calculates an aggregate score based on a number of professional reviews, the album has received a score of 58/100 (based on 12 articles) which indicates "mixed or average reviews".
Blue slide park pitchfork mac#
Easily the most cohesive, original body of work he’s ever released, the album feels so far from the Mac of five years ago it might as well be another artist.Critical reception Edit Professional ratings Aggregate scoresīlue Slide Park received generally mixed reviews from music critics. Which brings us to his latest, love-fueled album The Divine Feminine. would go on to be another success for Mac, and one that was predicated on more positive vibes. “You can't expect to appreciate moments of deep thought without appreciating moments of carefree enjoyment and confidence.” GO:OD A.M. “There are times in life where it makes more sense to just enjoy yourself and not think too deeply,” he told GQ in 2015. Mac left Los Angeles for Brooklyn, where he moved in with his then-girlfriend and started focusing more on what made him happy again. It’s rough on your body,” he said to Billboard.

“It just eats at your mind, doing drugs every single day, every second. was the start of him eschewing what was expected of him.

If WMWTSO was Mac yearning for acceptance, his third album GO:OD A.M. He had gone from bright-eyed party rapper to drugged-out critical success, but he still wasn’t happy. It was an image that people were ready to take seriously. He pumped out side projects under alter-egos Larry Fisherman and Delusional Thomas, and cemented his new image as a spaced-out, psychedelic-fueled, and multi-talented weirdo. “But it’s cool because I really just kind of appreciated how everyone was able to listen with an open mind.”Īlthough Watching Movies With the Sound Off was a positive first step, it was his Faces era that convinced a lot of people to take Mac Miller seriously. “I expected everyone to talk shit… I think has trouble taking me seriously, which I mean, it’s my fault,” he said in a 2013 Huffington Post interview. Nobody was more surprised about this than him.
Blue slide park pitchfork for mac#
Wielding psychedelic influences and dealing with more serious subject matter led to a critical turnaround for Mac Miller on Watching Movies With the Sound Off. By contrast, Mac’s relentless studio work led to Watching Movies With the Sound Off featuring a long list of critically-acclaimed artists, including Action Bronson, Tyler, the Creator, ScHoolboy Q, Ab-Soul, and Earl Sweatshirt, all lending Mac some much-needed credibility. Blue Slide Park was featureless critics quipped that this was because no rappers wanted to work with him.
